ART 280 NEGOTIAD LEARNING PLAN.
What interests or drives you?
My main drive for this project is simply the fact that I am a woman myself. I wanting to carry on from my previous project and created piece that are empowering to women and allow them to be who they are without the perspectives of society judging them or defining them.
What materials do you think might best serve your investigations? What media/areas possible exhibition sites/participatory project opportunities you intend to explore and research?
The main materials I will be using within this project to best sever my investigations are both paints materials and digital materials. This way I can explore both a digital and in person live outcome as one can be highly exhibited in person to bring about a better effect on its viewing audience whereas the other material, I feel will have a better effect viewed digitally through the internet.
Media/ areas possible for exhibition sites for me include.
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general social media for example Instagram
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Posters distributed throughout the local community (for me it will probably be throughout the Priestman building.)
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Leaflets/Posters distributed to cafes and local shops.
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Mini exhibition in local community centre
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Exhibition in Priestman gallery/Shaun Space.
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General galleries throughout the country.
Media/ areas possible for exhibition sites for me to research:
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4th plinth
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Clear channel
How will you measure your success?
Ask viewing audience for their feedback.
Media/ areas possible for exhibition sites researched:
4th Plinth: (located in Trafalgar Square.)
An established icon for London, in which brings out the art critic in everyone, the fourth plinth is one of the world’s most famous public art commissions. It plays an important role in bringing contemporary art and debate to millions for free, casting a new light on London’s most historic square. Launched in 1998, the 4th plinth has become known around the world for its diverse commissions and commentary on complex and contemporary issues. The Fourth Plinth commissions are chosen through public consultation and decision making by the Fourth Plinth Commissioning Group, an independent panel of artist, journalists, and curators. The mayor approves the winning artist based on the recommendations of the Commissioning Group.
Instagram:
Gives people the power to build community and bring the world closer together. Instagram is an American photo and video sharing social networking service founded by Kevin Systrom and Mike Krieger. The app allows users to upload media that can be edited with filters and organized by hashtags and geographical tagging. Posts can be shared publicly or with pre-approved followers. Users can browse other users' content by tags and locations and view trending content. Users can like photos and follow other users to add their content to a personal feed. Allows you to connect with more people, build influence, and create compelling content that’s distinctly your in which can reach a view audience all over the globe in a vast amount of time.
Clear Channel:
Clear Channel's advertising estate offers local reach or national fame, depending on your needs. Clear Channel is a Platform for Brands and a Platform for Good. Clear Channel UK is part of Clear Channel Outdoor - one of the world’s leading Out of Home media owners. Here in the UK, they operate more than 35,000 sites nationwide, from Inverness in Scotland to Truro in Cornwall and in every major urban area in between. Out of Home is a strong proposition for advertisers, it's why Out of Home has the ability to deliver our advertisers’ media objectives, from brand building to activation, and whether complementing or competing with other media channels. It's the perfect Platform for Brands. But they’re more than a media owner. They believe they have a responsibility to serve the surrounding communities and make a positive contribution to society. They continually invest in infrastructure and projects to find new and impactful ways to continue to make Out of Home a Platform for Good.
Billboards:
A billboard (also called a hoarding in the UK and many other parts of the world) is a large outdoor advertising structure (a billing board), typically found in high-traffic areas such as alongside busy roads. Billboards present large advertisements to passing pedestrians and drivers. Typically brands use billboards to build their brands or to push for their new products. The largest ordinary-sized billboards are located primarily on major highways, expressways or principal arterials, and command high-density consumer exposure (mostly to vehicular traffic). These afford greatest visibility due not only to their size, but because they allow creative "customizing" through extensions and embellishments. Posters are the other common form of billboard advertising, located mostly along primary and secondary arterial roads. Posters are a smaller format and are viewed principally by residents and commuter traffic, with some pedestrian exposure.
Posters:
Posters clearly demonstrates the application of commercial advertising techniques and is appealing to the viewing audience encourages them to get behind the portrayed subject and offer up support for what is being displayed. A poster is a temporary promotion of an idea, product, or event put up in a public space for mass consumption. Typically, posters include both textual and graphic elements, although a poster may be either wholly graphical or wholly text. Posters are designed to be both eye-catching and informative. Posters may be used for many purposes. They are a frequent tool of advertisers (particularly of events, musicians, and films), propagandists, protestors, and other groups trying to communicate a message. Posters are also used for reproductions of artwork, particularly famous works, and are generally low-cost compared to the original artwork. The modern poster, as we know it, however, dates back to the 1840s and 1850s when the printing industry perfected colour lithography and made mass production possible.





My Live Project
I aim to produce a collection of work that encourages change towards current social perspectives used to define women. I want to produce work that is effective and display that to the public so that it will hopefully empower my women audience and eager them to break down these views placed upon them by society and allow them to standout, take their place in the world be powerful but most of all proud to be a woman. My work evokes female empowerment touching upon feminist issues in which I feel are apart of a women's daily struggle. The main issues to me, that I feel are a constant in female live are the views surround how a women should look, how they should act, who they should be and their overall existence in society. Therefore my work looks upon the issues of body image, the sexualising of women (i.e. name calling, abuse) and women's typical role in society (i.e. their ideal job seen from a males perspective). Throughout history women have been objective, discriminated, violated and held back due to them simple fact that they aren't male. All genders should have equal opportunities within life and shouldn't be limited due to who they are. I aim to challenges that off society and the issues women face in both the past and present hopefully encouraging women especially young women to not care so much of how the world see them but how they see themselves to better the world and allow women to feel worthy and beautiful in who they are. I aim to give women a voice that empowers them to be themselves and stand firmly on their rising platform in society as we are so much more that how others perceive us to be.
My Work
My hypothetical concept proposal.

Here I have created a miniature version of what my gallery exhibition space could potentially look like if I where able to rent out a space.
Most spaces in most large cities run between £200-£400 an hour with a four hour minimum. Large or famous spaces can easily command £1,000 or more an hour. Depending on the space available to display my work I would have to take into consideration the cost of travel to get me and my work to the exhibition. As for the work its self the size of the room available would determine the amount of posters I would need to print in order to cover the complete floor to give of the same effect of my mini exhibition, this will also determine the amount of time it would take me to cut them to size as just under 60 poster cost me roughly £10 to print at my local community centre ( 2 posters per page on a A4 sheet) and took me roughly 1 and a half hours to cut up.



Here I have created digital mock ups of what it would be like to display my work in a public setting, in this case specifically displayed on the side of a bus or at bus stops. These are possible exhibition sites in which I could potentially reach out to and access to get my work out there to the public world of those that wouldn't necessarily visit a gallery. The average cost of billboard advertising is around £200 per week for a standard 48-sheet hoarding. An ad on the side of a bus stop on a busy high street could cost around £300 for two weeks' exposure.
Live outcome documentation

Poster created digitally to Promote my gallery exhibiting a collection of my work which I am extremely proud of. This poster was distributed throughout the Priestman building and advertised on my social-media accounts which include Facebook and Instagram, hopefully reaching a wider amount of people to come and partake in my opening gallery.
My gallery was set to take place on Friday 13th May up until Monday 16th May, with the Shaun Project Space, located in room 112 at the Priestman Building. My exhibition was a shared exhibition that galleried 3 other collections of work produced by my peers, them being Racheal Purvis, Chantelle Quigley and Beth Hales. Each of us have our own unique styles and themes which I feel coincidently worked well along side one another, My work related well with the work produce by Chantelle due to both our focuses being upon feminism and Beth's work related well with Racheal's as they both touched upon the topic of nature in particularly trees. Working with 3 other people to get the gallery sorted was beneficial in the way that it relieved stress of produce a certain amount of piece as if I was working alone more work would have had to be created and rushed in order to fill the space. As the space was divide to house four artist work I was then able to take the time to perfect the work produce as not as much was needed. Another benefit of collaborate in a gallery was that we all helped each other with the placement of setting our work out that way we had more eyes to certify that all piece put up where hung in line with one and other and hung up straight.

My work


Overall, I feel my gallery was successfully and I am extremely happy with the work me and my fellow peers have put in in order for this gallery to be up and running on the 13th. A lot of hard work went into the production of all the works displayed within this gallery along with that a lot of time went into the research and development behind the pieces and I am ecstatic with the final outcome.